Music Composers, Authors & Songs

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Malneck, Matty
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York. Debut as solist in Carnegie Hall with Bankers Glee Club then with New York Symph., Musical Art So­ciety, Mendelssohn Glee Club, Cin­cinnati Orch., Arion Society. Gave twenty performances of In A Persian Garden under Victor Harris, conduc­tor. At present voice teacher New York. Member of New York Singing Teachers Assoc., also past president and on Board of Governors of present assoc.; Composers, Authors Guild; also honorary member of the Utsa-yantha Choral Society. Composer of seventy-five published works: songs, books for children, mixed choruses, sacred and popular music, two-piano pieces. Songs: "In a Little Town Nearby"; "The Fields O' Bally Clare"; "In a Garden Wild"; "Lass O' Mine"; "Song of Sunshine"; "Long and Long Ago"; "Swift, Swift the Hours"; "Light at Evening Time"; "The Stars Sang In God's Garden"; "The Pirate"; "111 Follow You"; "I See Him Every­where"; "Wishing"; "A Pastorale"; "The Wonder of the Thing"; "I Would Give to Thee a Rose"; "Hail! Your Risen Lord!"; "Then Easter Day Was Born." Also, choral pieces, sacred and secular; piano pieces and children's songs in book form. Home: New York, N.Y. Address: 113 W. 57 St., New York 19, N.Y.
Malneck, Matty, composer, conduc­tor, arranger, violinist; b. Newark, N.T., Dec. 10, 1904. ASCAP 1932. Educ.: Denver public schools; violin with Wilberforce Whiteman. Profes­sional violinist at sixteen playing en­gagements with popular bands. Eleven years violinist and arranger with Paul Whiteman. Organized own orchestra 1935 and since then active in radio, recording, theaters and night clubs. Songs: "If I Had a Million Dollars"; "Pardon My Southern Accent"; "I'm Through With Love"; Til Never Be the Same"; "Eeny Meeny Miney Mo"; "Goody Goody"; "Hey, Good Lookin'"; "Snug as a Bug in a Rug";
"Park Avenue Fantasy," introduced by Paul Whiteman in his Experiment in Modern Music at Metropolitan Opera House, Dec. 1933; "Stairway to the Stars"; "Misty Waters." Home: Beverly Hills, Calif. Address: c/o ASCAP.
Malotte, Albert Hay, composer; b. Philadelphia, Pa., May 19, 1895. ASCAP 1936. Son of choirmaster, be­gan musical career as choirboy; stud­ied piano and organ. As schoolboy formed friendship with Victor Herbert who corrected and criticized his earli­est compositions. Advanced musical education abroad, composition with teachers in Paris and London; voice with Eugene Sizes. Several years con­cert organist, large motion picture theaters of U.S. and Europe. Opened school for theater organists in Los Angeles 1927. With introduction of sound into films, closed school to com­pose music for films. Works: Two ballets: Little Red Riding Hood and Carnival of Venice, performed in Hollywood Bowl; choral works for orchestra and mixed voices, The Ninety-First Psalm and Voice of the Prophet; many picture scores, incl. Dr. Cyclops and Enchanted Forest. Songs: "The Lord's Prayer"; "Song of the Open Road"; "The Twenty-Third Psalm"; "The Beatitudes"; "David and Goliath"; "Little Song of Life"; "Upstream"; "Sing a Song of Sixpence.' Home: 3489 Wonderview Dr., Hollywood 28, Calif.
Maltin, Bernard, composer, pianist; b. New York, N.Y., June 17, 1907. ASCAP 1936. Educ.: New York pub­lic and high schools; Inst, of Musical Art; piano with Leopold Wolfsohn. While still in teens gave several con­certs. Later played professionally in popular field, on radio and with pop­ular bands. World War II, Maritime Service 1943-46. Composed music for Bamhoola, musical revue. Songs: "Afraid"; "You Are Music"; Tin